A piece would simply come back stamped with a red “denied” and was hence declared “not the work of Andy Warhol.” “A” for “work of Andy Warhol,” “B” for “not the work of Andy Warhol,” and “C” for “not able at this time to form an opinion.” They never revealed the reason behind why they denied a work in fear that it would aid forgers. Shrouded in mystery, the six board members, who were based in New York’s Chelsea district, cast their final decision using either an A, B or C. While most of the great artists’ estates have their own panel of experts, none has been as feared, disdained and contested as Warhol’s. The Andy Warhol Authentication Board, set up in 1995 in association with the Foundation, aimed to become the sole authority on Warhol authenticity. However, and as many will know, there did exist a controversial alternative. Currently there exists only one sanctioned method of getting your work authenticated consulting the Foundation’s own Catalogue Raisonné. The Foundation estimates that there are over 100,000 limited editions in circulation and to retain their integrity must remain dedicated to ensuring that what people buy is not forged. It was set up by Fred Hughes, Warhol’s business manager and became the overseer of Warhol’s estate and reputation. The Andy Warhol Foundation, set up in 1987, just after the artist’s sudden death aims to preserve Warhol’s legacy. This radical approach challenged traditional conceptions of what art is, but also means that determining a genuine Warhol can be an incredibly complex task. The Pop Art icon, who wanted to paint like a machine, often distanced himself from the actual production of his works, leaving his printing to his assistants and merely signing the works. Swensonįew artists have been subject to as intricate and controversial debates over authenticity than Andy Warhol. “No one would know whether my picture was mine or somebody else’s.”Īndy Warhol in a 1963 interview with G.
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